'This happened on December 30, 2003. That may seem a while ago but it won't when it happens to you...' In this adaptation of her award-winning, bestselling memoir, Joan Didion transforms the story of the sudden and unexpected loss of her husband and their only daughter into a stunning and powerful one-woman play. The first production of 'The Year of Magical Thinking', starring Vanessa Redgrave and directed by David Hare, was a runaway hit on Broadway in 2007. The same production is transferring to the National Theatre from April to July 2008.

'A writing career which is the most consistently adventurous of any British dramatist.' Observer Recording dizzying changes in culture and politics, this is a powerful compilation of prose and poetry by one of the distinctive thinkers of our time. The elegant essays range from a celebration of Mad Men to a diagnosis of the incoherence of Conservatism in the new century. The poems, in contrast, are private, tender meditations. 'Always, there is a breadth and a caustic wit reminiscent of his idol Chekhov.' Spectator 'David Hare's great quality has always been his refusal to accept the division between fact and imagination. His creative invention is fired by public realities and in turn he makes those realities feel deeply personal. That same quality is wonderfully at work in his essays and poems. Whether he is writing about Tony Blair or Joan Didion, whether he is writing out of love or rage, evoking the intimate moments of his own life or the great moral questions of our times, he brings his subjects to life with an irresistible immediacy. All the wit, combativeness, energy and edge he has brought to the stage are present here on the page.' Fintan O'Toole 'A reliable source of delight.' New Statesman

I want to give my country a model of perfection. My country needs cheering up. I'm the man to do it. A man of great passions, John Christie wooed his opera singer wife with a determination befitting a man who won the Military Cross at the Battle of Loos. Now, in 1934, this Etonian science teacher's admiration for the works of Wagner has led him to embark on the construction of an opera house on his Sussex estate. Then, by chance, he hears word of a group of refugees from Nazi Germany who may perhaps deliver his vision of the sublime - assuming they're willing to cast his wife in the lead. David Hare's The Moderate Soprano tells the story of how Glyndebourne, this most English of institutions, derives its character firstly from a woman and secondly from an Austrian and two Germans. The play premiered at Hampstead Theatre in 2015, and opened at the Duke of York's Theatre, London, in April 2018. 'In the grand tradition of Bulgakov's Black Snow, a penetrating way of investigating the politics of life in general through the troubled internal politics of a particular theatrical institution. Fervently recommended.' Independent 'A loving portrayal of the mix of vision, stubbornness, grit, love and luck that can produce great art.' Financial Times

The Great Lighthouses of Ireland is a collection of striking images and fascinating stories about the lighthouses around Ireland's coast and the extraordinary men and women who lived and worked in them. The book, published to accompany the TV series of the same name, has an encyclopaedic range of subjects, including history, biography, engineering and science, art, wildlife and social history. Stories include the raid on the Fastnet by the IRA, Ireland's nuclear-powered lighthouse and the heroic rescue of the Daunt Rock lightship. With more than 300 stunning images and archive documents, this beautiful book brings to life the romance and history of the lighthouses that inspire such fascination.

This version of Brecht's great anti-war play by playwright David Hare was premiered by the National Theatre, London, in November 1995. It adopts a freer approach to the text than many editions, adapting the original rather than offering a close translation. In this chronicle of the Thirty Years War, Mother Courage follows the armies back and forth across Europe, selling provisions and liquor from her canteen wagon. One by one she loses her children to the war but will not part with her livelihood - the wagon. The Berlin production of 1949, with Helene Weigel as Mother Courage, marked the foundation of the Berliner Ensemble. Considered by many to be one of the greatest anti-war plays ever written and Brecht's masterpiece, it remains a powerful example of Brecht's Epic Theatre and pioneering theatrical style.

For forty uninterrupted years, Robert Moses was the most powerful man in New York. Though never elected to office, he manipulated those who were through a mix of guile, charm and intimidation. Motivated at first by a determination to improve the lives of New York City's workers, he created parks, bridges and 627 miles of expressway to connect the people to the great outdoors. But in the 1950s, groups of citizens began to organize against his schemes and against the motor car, campaigning for a very different idea of what a city should be. David Hare's blazing account of a man - played by Ralph Fiennes - whose iron will exposed the weakness of democracy in the face of charismatic conviction, premieres at the Bridge Theatre, London, in March 2022.

'There are times in the theatre when you suddenly find yourself in the grip of silence. There is no fidgeting or coughing, no shifting about in seats: the audience's attention is so tense it is almost palpable. This is because it is both thrilling and dangerous: a fight to the death, or the dawning of salvation. David Hare's new play, Skylight, is punctuated by such moments. They are the signs that a dramatist of the first rank is writing at full stretch, in complete command of his material, undogmatic and unafraid, unforgiving and compassionate.' Sunday Times Skylight was revived in a new production at the Wyndham's Theatre, London, in June 2014, which received the Evening Standard Revival of the Year Award.

Russia, late summer at the close of the nineteenth century. Vanya and his niece Sonya have worked for years to manage the country estate. Into this ordered and regular household come two new visitors, Sonya's father, an irritable professor, and his young wife Elena who, in the space of a few months, cause chaos, one by their selfishness, and the other by their sexual allure. Between them, they manage to have most of the inhabitants questioning their purpose in life, their happiness and, at times, their sanity. David Hare's version of Anton Chekhov's Uncle Vanya opens at Theatre Royal Bath in July 2019.

A young lawyer's involvement in her first case leads her through a criminal justice system - police, courts and prisons - which is cracking at the seams. Murmuring Judges is the second play in David Hare's highly acclaimed trilogy about British institutions. Racing Demon, which won four awards as Play of the Year in 1990, was the first part of the trilogy and examined the Church. The Absence of War, a play about the Labour Party, completed the trilogy.

In Racing Demon, the first installment in David Hare's trilogy about the health of three British institutions, details the struggle of four clergymen to make sense of their mission in South London. Racing Demon, a popular British card game where the quick and confident always beat the thoughtful and indecisive, serves as a telling metaphor for the quality of leadership that is valued in our culture.

In this trilogy, David Hare assults one of favorite targets—institutions. He takes a harsh look at religion, the legal system, and Britain's political parties; specifically, the Church of England, the British legal system, Thatcherian politics, and the English press. Alongside the first installment of the trilogy, Murmuring Judges takes a behind the scenes look at Britain's legal system, while The Absence of War examines the life of a Labour Party member. David Hare has also written Asking Around, a documentary book which supplies the background to the writing of the plays.

In this radical new version of Peer Gynt, David Hare kidnaps Henrik Ibsen's most famous hero and runs away with him into the twenty-first century. Stripped of fretwork and greenery, the play is projected into a freewheeling modern world of music, dance, poetry, weddings, coronations, trolls and two-headed children as Peter steals a bride and embarks on an extraordinary lifetime's journey before returning home, finally, to Scotland. David Hare's Peter Gynt posits the same fundamental question the great Norwegian asked in 1867: does a belief in individualism help or hinder us in trying to live purposefully in the present day? The play opens at the National Theatre in July 2019 and transfers to the Festival Theatre Edinburgh, for the Edinburgh International Festival.

In 1991, before an election they did not expect to win, the Conservative government made a fateful decision to privatize the railways. Now, twelve years later, as a result of that privatization, the taxpayer subsidizes rail more lavishly than ever before. In The Permanent Way, David Hare tells the intricate, madcap story of a dream gone sour, by gathering together the first-hand accounts of those most intimately involved - from every level of the system. Funny, tragic and compelling, the play offers an extraordinary parable of British mis-management that raises questions about the recent history of the country.

In 1975, David Hare co-founded the Joint Stock Theatre Company, for whom he adapted Fanshen, William Hinton's book on the Chinese Revolution. Like most of Hare's political plays, Fanshen refuses to simplify complex moral issues. Focusing on the difficulties, mistakes, and corruptions of the revolution, Hare ultimately implies that those involved can learn from their mistakes and perhaps even move towards a more ideal society. After 1975, Hare began to write for the National Theatre which produced A Map of the World, which takes its title from Oscar Wilde's observation that "A map of the world that does not include Utopia is not worth even glancing at," contrasts the cynicism of a successful novelist with an aggressive and idealistic young journalist. In Saigon, Barbara, a British woman, is a clerk at a bank in Saigon. She meets a CIA operative and the two fall in love just before the Vietcong take over the city.This unique wartime romance gives an unusual perspective of war from two Westerners ostensibly on the outside, but tied to the money and power which drives the war.

Also included in this volume are The Bay at Nice, which premiered at the National in 1986 and The Secret Rapture, which tells the story of two sisters coping with their father's death.

Do you want to be happier? Find inner calm? Enjoy a rich and rewarding life? Here's how... The Buddha in Me, the Buddha in You combines the tried-and-tested wisdom of Nichiren Buddhism with the best of popular psychology and personal development, making this a brilliant guide to how life works, and how to get the most from it. Nichiren Buddhism differs from other Buddhist schools in its focus on the here-and-now, and places great importance on individual growth as the starting point for a better world. This, combined with powerful techniques such as NLP, mindfulness, journalling and coaching, makes The Buddha in Me, the Buddha in You the quintessential handbook for happiness. 'Buddha' simply means someone who is awakened - yet while Nichiren Buddhists will find fascinating insights into their practice, there is no need to follow a spiritual path to benefit from this book. Through his experience as an internationally acclaimed life coach and practising Buddhist, author David Hare shows us how to wake up to our own potential and that of those around us - to discover everyday enlightenment.

Should I run? This is the question Pauline Gibson is asking herself. She has spent her adult life as a doctor, the inspiring leader of a campaign for local health provision. When she crosses paths with her old boyfriend, Jack Gould, who has made his way in Labour party politics, she's faced with an agonising decision. What's involved in sacrificing your private life and your peace of mind for something more than a single issue? Does she dare? David Hare was recently described by the Washington Post as 'the premiere political dramatist writing in English.' His explosive new play portrays the history of a twenty year intimate friendship and its public repercussions. David Hare's new play I'm not Running, premieres at the National Theatre, London, in October 2018.

Nothing is more important to a modern political party than fund-raising. But the values of the donors can't always coincide with the professed beliefs of the party. And family scandal within the cabinet has the potential to throw both the money-raisers and the money-spenders into chaos. This richly imagined ensemble play about British public life looks at the way business, media and politics are now intertwined to nobody's advantage, as, in an unforgiving world, one character after another passes through Gethsemane. Gethsemane, David Hare's fourteenth original play for the National Theatre, London, premiered in November 2008.

Schnitzler described Reigen, his loose series of sexual sketches, as 'completely unprintable'. The company that first presented them was prosecuted for obscenity in 1921. It was only when Max Ophuls made his famous film in 1950 that the work became better known as La Ronde. Now David Hare has re-set these circular scenes of love and betrayal in the present day. Using as much imaginative freedom in his turn as Ophuls did fifty years ago, and with just two actors playing all of the parts, Hare has created a fascinating landscape of dream and longing which seems both eternal and bang-up-to-date.

Anton Chekhov is one of the undisputed masters of world drama. He is usually thought to hide himself behind his characters and stories, keeping his own personality well off-stage. But when he was young he wrote three plays - Platonov, Ivanov and The Seagull - which, with their thrilling sunbursts of youthful anger and romanticism, reveal a very different playwright from the one known by his mature, more familiar work. Young Chekhov brings these three blazing dramas together in versions by internationally acclaimed dramatist David Hare, offering the chance to explore the birth of a revolutionary dramatic voice. The plays show a writer freeing himself from the constraints of nineteenth-century melodrama and herald the shift into the twentieth century, and the birth of the modern stage. The Young Chekhov season premiered at the Chichester Festival Theatre in the autumn of 2015.

What is a political playwright? Does theatre have any direct effect on society? Why choose to work in a medium which speaks to so few? Is theatre itself facing oblivion? All frequent questions addressed to David Hare over the last thirty-five years, as his work has taken him from the travelling fringe to the National Theatre, from seasons on Broadway to performances in prisons, church halls and on bare floors. Since 1978, Hare has sought uniquely to address these and other questions in occasional lectures given both in Britain and abroad. Now, for the first time, these lectures are collected together with some of his more recent prose pieces about God, Iraq, Israel/Palestine and the privatisation of the railways. Bringing to the lectern the same wit, insight and gift for the essential for which his plays are known, Hare presents the distilled result of a lifetime's sustained thinking about art and politics.

An elderly antiquarian bookseller has just died at his home in the country. His two daughters come to attend to things. Isobel, who has been nursing him, is a partner in a small design firm. Marion is in politics - already a junior minister. It is Marion's profession to provide answers, and to back those who offer solutions, but not all human situations yield to a professional approach - least of all when they involve their junior step-mother Katherine. In this elegantly constructed play, a mordant comedy of manners deepens into a painfully unsparing examination of the consequences of applying principled pragmatism to human feelings. 'David Hare has written one of the best English plays since the war and established himself as the finest British dramatist of his generation.' John Peter, Sunday Times

Berlin/Wall In two contrasted readings for the stage, David Hare visits a place where a famous wall has come down; then another where a wall is going up. Berlin For his whole adult life, David Hare has been visiting the city which so many young people regard as the most exciting in Europe. But there's something in Berlin's elusive character that makes him feel he's always missing the point. Now, to celebrate the twentieth anniversary of the reunification, he offers a meditation about Germany's restored capital - both what it represents in European history, and the peculiar part it has played in his own life. Wall The Israeli/Palestine security fence will one day stretch 486 miles, from one end of Israel to the other. It will be four times as long as the Berlin wall, and in places twice as high. In this second monologue, the playwright recalls his trips to both Israel and the Palestinian territory and offers a history of the wall's building, an exploration of the philosophy behind it and a personal account of those who live on either side. Berlin premiered at the National Theatre, London, in February 2009 and Wall premiered at the Royal Court Theatre, London, in March 2009.

This is a new collection of some of David Hare's finest work, including Skylight (Winner of the Laurence Olivier Award for Best New Play, 1996), Amy's View, The Judas Kiss and My Zinc Bed.

David Hare has long been one of Britain's best-known screenwriters and dramatists. He's the author of more than thirty acclaimed plays that have appeared on Broadway, in the West End, and at the National Theatre. He wrote the screenplays for the hugely successful films The Hours, Plenty, and The Reader. Most recently, his play Skylight won the 2015 Tony Award for Best Revival on Broadway. Now, in his debut work of autobiography, "Britain's leading contemporary playwright" (Sunday Times) offers a vibrant and affecting account of becoming a writer amid the enormous flux of postwar England. In his customarily dazzling prose and with great warmth and humor, he takes us from his university days at Cambridge to the swinging 1960s, when he cofounded the influential Portable Theatre in London and took a memorable road trip across America, to his breakthrough successes as a playwright amid the political ferment of the '70s and the moment when Margaret Thatcher came to power at the end of the decade. Through it all, Hare sets the progress of his own life against the dramatic changes in postwar England, in which faith in hierarchy, religion, empire, and the public good all withered away. Filled with indelible glimpses of such figures as Alfred Hitchcock, Laurence Olivier, Tennessee Williams, Helen Mirren, and Joseph Papp, The Blue Touch Paper is a powerful evocation of a society in transition and a writer in the making.